A thing of beauty. Very Superstitious gets a heavy metal make over with this mash up that actually works extremely well.
A thing of beauty. Very Superstitious gets a heavy metal make over with this mash up that actually works extremely well.
From his goodbye letter:
"My friends, love is better than anger. Hope is better than fear. Optimism is better than despair. So let us be loving, hopeful and optimistic. And we'll change the world. "
John Gilbert "Jack" Layton, PC, MP (July 18, 1950 – August 22, 2011) was a Canadian social democratic politician and the Leader of the Opposition.

George Lois was one of the primary architects of the Creative Revolution in American advertising in the 1960s—yeah, yeah, like on Mad Men. He was a leading figure at the world’s first creative agency and cofounded its second. This was a time when “creative” was a way to describe someone who had original ideas and not, as the Oxford American Thesaurus puts it, an “advertising buzzword… that simply means new or different.” Lois wholly or partially created some of the most exceptional and memorable ads in history. For better or worse, behemoths of consumerism such as Tommy Hilfiger, Jiffy Lube, ESPN, MTV, and many others have ingrained themselves in American culture because of his indelible campaigns. The qualities that set Lois’s work apart from that of today’s advertising industry are a) his stuff was unapologetic and transparent about the fact that it was selling a product, and b) he used ideas to hawk products rather than the other way around. Considering the breadth and quality of his advertisements, it’s all the more impressive that Lois is best known for his work at Esquire, where he created a staggering 92 of the most iconic magazine covers ever published in a mass-market magazine. They were visual battering rams, catalysts for dialogue about topics people found uncomfortable. With full backing from editor in chief Harold Hayes, Lois was given complete creative control. Sometimes Hayes didn’t even know what he was getting until the finished cover arrived. It was the type of arrangement that would be impossible in today’s sycophantic and flaccid media industry. Some have criticized Lois for exaggerating the scope of his influence and claiming other people’s ideas as his own. Regardless of the particulars, his work has undeniably had a lasting influence on the media world and will continue to until we’re all dead. Most journalists and television producers want to speak with Lois about his creative process or how he came up with so many unforgettable concepts. But I had a different agenda. I visited him at his stately full-floor apartment on West 12th Street in Manhattan to ask about his take on why the advertising industry—and, really, the media machine as a whole—has been cascading down a bottomless pit of mediocrity for at least the past two decades.Vice: Do you get pissed off that your advertising work is glossed over by people who only know you for your Esquire covers? ...Read the rest at Vice Magazine: GEORGE LOIS - Vice Magazine
As cool as this is, I am left wondering; Why do we always develop these things to become more efficient at killing people?
A drunken master meets a cirque du soleil aesthetic in this busker hoop dance video out of Montreal.